OccupyRecords.org: A Social Network
It was a heady time in 2011 for anyone involved in the Occupy Movement. The energy at Zuccotti Park, located in New York City's Financial District, was electric, as people from all walks of life gathered to protest economic inequality and corporate influence. For several weeks, I was both an observer and participant, spending my days immersed in this spontaneous community that felt like something much bigger than any of us individually. Zuccotti Park became a microcosm of hope and solidarity. Volunteers were always ready to assist with anything needed—setting up Wi-Fi, providing first aid, or organizing food and supplies. Several lawyers were also present, offering legal advice to protect protesters. I vividly remember one attorney, a car accident lawyer from Houston visiting his mother in New York City, who joined us on a whim. He shared practical tips like avoiding confrontations with the police and keeping noise levels down at night. His presence underscored the diverse support the movement attracted. What struck me most was the celebratory nature of our gathering. Despite the challenges, there was a sense of unity and purpose. We bonded over shared meals, late-night discussions, and the collective hope of sparking societal change. Music echoed through the park, inspiring websites like Occupy Records to emerge as platforms for artists supporting the movement. These moments created memories I will always treasure—a time when we truly believed we could make a difference.
This was the OccupyRecords.org website - consider this site from a historical perspective.
PLEASE NOTE THAT THIS PAGE CONTAINS SELECTIVE ARCHIVED CONTENT FROM THE ORIGINAL SITE.
Sorry, but I was unable to recover any original music that was posted
Since the site will not be exactly as you remember it, please be indulgent.
Now let's take a nostalgic stroll back to 2011
What we're doing at Occupy Records is creating a platform to facilitate the connection between artists and fans who are involved with or inspired by the global Occupy movement.
Up until this point, there has been a lot of great music that's been created, but no central place to share it or find it. Thus, our initial goal is to encourage everyone - artists, music fans, activists, and anyone interested to join the community, share and connect with each other.
Going forward, we're going to be facilitating a series of releases of original music inspired by the Occupy movement that will benefit the cause, along with events, original video content, and other cool stuff.
The ultimate goal is to have Occupy Records develop into its own self-sustaining media portal, allowing an organic global culture to flourish without interference from corporate interest.
Please enjoy the site, use it to share everything that inspires you, and spread the word.
This is the most important moment of our generation - let's create the culture to define it. Join, share, discuss, and support.
ALL CONCERT EVENTS
OCTOBER 2 THURSDAY
OCCUSTOCK
October 27, 2011 at 4pm to October 29, 2011 at 11pm – India Point Park, RI
A 3-day music extravaganza dedicated to the worldwide occupy movement. Interested in getting involved? Contact: Jay and Matt and Sarah mdfarsyde@yahoo.com matt6289@gmail.com sarahm.grimm@gmail.com
Organized by Alphonzo Terrell | Type: masquerade, music, festival
October 31 MONDAY
OCCUPY HALLOWEEN
October 31, 2011 all day – The Streets of NYC
Occupy Wall St will Occupy Halloween
Organized by Occupy Wall St: Art & Culture Group | Type: occupation
November 3 THURSDAY
OCCUPY STRAVINSKY: “L’HISTOIRE DU SOLDAT” (“THE SOLDIER’S TALE”)
November 3, 2011 from 5pm to 6pm – Liberty Park
Stravinsky’s timeless and haunting “L’histoire du Soldat” (“The Soldier’s Tale”), a parable for three actors and seven musicians, will be performed for Occupy Wall Street at Zuccotti Park by Broadway…
Organized by NYCGA Arts & Culture
November 13 SUNDAY
OCCUPY WALL ST. BENEFIT CONCERT
November 13, 2011 at 7pm to November 14, 2011 at 1am – The Jalopy Theater
Occupy Wall St. Benefit Concert:
All proceeds go to the OWS movement. The benefit concert will be produced and hosted by Eli Smith - Smith presents the annual Brooklyn Folk Festival and Washington Sq…
Organized by Eli Smith | Type: benefit, concert
November 18 FRIDAY
SOUND IN MOTION IV: AVAILABLE
November 18, 2011 from 7:30pm to 9pm – Theatre Project
The Baltimore Composers Forum Presents Sound in Motion IV: Available Theatre Project in Baltimore, Maryland on November 18th, 2011 at 7:30 PM A presentation of original and collaborative works, Sound…
Organized by Baltimore Composers Forum | Type: dance, performance/concert
November 28 MONDAY
CYBER MONDAY-- CDS MAKE
CYBER MONDAY-- CDS MAKE GREAT GIFTS! -- NALADA BY LISA MILES
November 28, 2011 all day – itunes, amazon...
"Nalada" by Lisa Miles--Latest Review:http://www.new-classics.co.uk/html/modern_music_reviews.htmlListen/ Buy:http://itunes.apple.com/us/album/nalada/id467865262http://www.amazon.com/Nalada-Lisa-Mile…
Organized by Lisa A. Miles | Type: (fundraiser)
More Background On OccupyRecords.org
OccupyRecords.org emerged as a unique platform within the broader Occupy movement, which started as Occupy Wall Street (OWS) in 2011. This global protest was aimed against economic inequality and corporate law corruption, particularly spotlighted by the financial crisis of 2007-08 and its aftermath, the Great Recession. The economic downturn had severely impacted living standards, especially among younger adults, and widened the income gap between the wealthy and the poor. Public dissatisfaction primarily targeted the U.S. financial sector, whose leaders were seen as responsible for the crisis yet largely evaded legal repercussions.
Inspired by massive protests in Egypt's Tahrir Square against Hosni Mubarak's regime in early 2011, OWS was initiated by Kalle Lasn and Micah White of Adbusters. The movement quickly gained traction through social media, leading to significant gatherings and the establishment of encampments, notably in New York City's Zuccotti Park. The movement was characterized by its leaderless, inclusive structure, and it rapidly inspired similar protests globally.
Within this context, OccupyRecords.org was conceived to connect artists and fans inspired by the Occupy movement, offering a centralized space for sharing and discovering music related to the cause. While the original site ceased operations, its spirit continues to influence the intersection of art, social justice, and community activism.
Popularity
The popularity of OccupyRecords.org was closely tied to the broader Occupy movement, which saw a significant global response. The movement and its associated platforms, including OccupyRecords.org, gained traction through social media and extensive news coverage, engaging activists, artists, and communities worldwide. The unique proposition of connecting music, arts, and activism under the Occupy banner resonated with many, making OccupyRecords.org a significant cultural touchpoint within the movement. However, specific metrics or quantitative measures of its popularity were not detailed in the sources reviewed.
Press & Media Coverage
The media coverage of Occupy Wall Street, including associated platforms like OccupyRecords.org, highlighted a broader narrative of economic inequality and corporate influence on politics. However, an analysis from the Fraser Institute points out a disparity in media attention between the Occupy protests and the issue of corporate welfare. It notes that mainstream outlets varied significantly in their coverage ratio between Occupy movements and corporate subsidies, with some media focusing more on the protests and others providing more balanced coverage with corporate welfare stories. This suggests that while Occupy Wall Street, and by extension OccupyRecords.org, received considerable attention, the underlying issues of corporate influence and economic inequality it aimed to highlight were covered unevenly across different media platforms.
Audience
The audience for OccupyRecords.org primarily consisted of artists, music fans, activists, and individuals inspired by or involved in the global Occupy movement. This diverse group shared a common interest in leveraging music and arts to express and promote the values and objectives of the Occupy protests, which focused on economic inequality and social justice. The platform aimed to foster a community where like-minded individuals could connect, share, and discover music that resonated with the movement's ideals.
Known For
OccupyRecords.org was known for being a social network and platform that connected artists, musicians, and fans inspired by the global Occupy movement. It aimed to facilitate the sharing and discovery of music and arts that reflected the movement's principles, focusing on economic inequality and social justice. The site encouraged community engagement, sharing of original music, and support for causes aligned with the Occupy movement, striving to develop into a self-sustaining media portal free from corporate influence.
Location
OccupyRecords.org was originally associated with the Occupy Wall Street movement, which was centered in Zuccotti Park, New York City's Financial District. The website served as a digital extension of the movement, aiming to connect artists and activists globally. While the physical protests were localized to specific areas, including New York City, the digital presence of OccupyRecords.org allowed for a global reach, engaging individuals worldwide who were interested in the movement's cause.
History
OccupyRecords.org originated in the vibrant atmosphere of the 2011 Occupy Movement, serving as a nexus for musicians and artists supporting Occupy Wall Street and its global counterparts. It emerged alongside other Occupy-inspired platforms, aiming to harness and distribute the creative energy fueled by the movement. However, after its initial period of activity, the domain registration lapsed and the site went offline. It was later acquired by an individual aiming to preserve its history and ethos by reconstructing its content from archives, maintaining its legacy as a digital monument to the movement's cultural impact.
Cultural & Social Significance
OccupyRecords.org held cultural and social significance as a reflection of the Occupy Movement's impact on music and arts. By creating a platform for artists and activists to share and discover music inspired by the movement's principles, it showcased how digital spaces could foster community, activism, and artistic expression centered around social justice issues. This initiative highlighted the role of art in mobilizing and documenting social movements, emphasizing the power of music as both a form of protest and a means of building solidarity among individuals across diverse geographical locations.